“It fills the Grace lobby beautifully,” says Meetings & Courses Program Executive Director David Stewart. “‘Earth Music III’ conveys the sense that one has entered a stimulating intellectual environment, prepared for intense conversations about the latest developments in the life sciences.”
Polsky completed the painting in 1974. It’s from a series of abstract works celebrating nature in its forms and processes. “They are often related to landscape … places in which the observer can locate himself,” she told curator and critic Karen Wilkin in 2006. “They are at once ‘interior,’ ‘exterior,’ and scenic.”
In a sense, “Earth Music III” echoes the grandeur of Grace itself. Stewart notes that Cold Spring Harbor is renowned for its cultured atmosphere. “This pairing of art and science is both unusual and hugely appreciated by the scientists attending CSHL’s Meetings & Courses,” he says. “Grace’s theme of science-meets-art helps make the Auditorium a fantastic forum that has seen numerous scientific firsts—including one of the earliest discussions about the sequencing of the human genome.”
“Earth Music III” is a relatively recent addition to CSHL’s art collection. Records indicate it was installed around 2008. However, Polsky’s family are lifelong supporters of the Laboratory. Her mother, former CSHL Trustee Lita Annenberg Hazen, was a founding donor of the Laboratory’s Neuroscience program. CSHL’s Hazen Tower was named in her honor.
Following Hazen’s passing in 1995, Polsky and her husband, Leon, carried on her philanthropic legacy. The Honorable Leon Polsky served on CSHL’s Board of Trustees from 1996 to 2002. The family also sponsored several research fellowships and professorships in Hazen’s name. Perhaps most impactfully, they established the CSHL School of Biological Sciences (SBS) Dean’s Chair in 1998.
Since then, the SBS has conferred more than 150 doctoral degrees. Graduates have secured prominent positions at some of the world’s leading institutions. Likewise, Polsky’s work can be found across the globe. It’s on display at the Metropolitan Museum of Art as well as the U.S. Embassy in London.
As for “Earth Music III,” the artist’s appreciation for music may have helped inspire the painting’s chromatic notes of color and texture. “My work … was perhaps influenced by the formalized training I received as a dancer,” she has said. “It remains my view that innovation and expression are relative to, and incorporate, prior visual vocabularies.”
Something similar might be said for CSHL. The Laboratory has a long tradition of cutting-edge science research and education. Those “vocabularies” continue to inspire “innovation and expression” wherever science is taught and tested.