Newsstand Menu
image of Earth Music III painting
A close-up of Cynthia Hazen Polsky’s “Earth Music III.” Note the painting’s staccato splashes of color and texture.

HarborScope blog

‘Earth Music III’

Print Friendly, PDF & Email
Ever visit someplace new and see something that immediately makes you stop and think, ‘What’s that?’ The walls of 鶹ýӳ’s (CSHL’s) Grace Auditorium often hear this question. Grace is the first stop for most CSHL participants and public tour takers. Greeting them in the lobby is an abstract giant—an 11-foot-tall painting by Cynthia Hazen Polsky titled “Earth Music III.”

“It fills the Grace lobby beautifully,” says Meetings & Courses Program Executive Director David Stewart. “‘Earth Music III’ conveys the sense that one has entered a stimulating intellectual environment, prepared for intense conversations about the latest developments in the life sciences.”

Polsky completed the painting in 1974. It’s from a series of abstract works celebrating nature in its forms and processes. “They are often related to landscape … places in which the observer can locate himself,” she told curator and critic Karen Wilkin in 2006. “They are at once ‘interior,’ ‘exterior,’ and scenic.”

“Earth Music III” is part of a series of paintings inspired by Jackson Pollack. “He opened the canvas to all possible ways and means to create images,” Polsky said of the pioneering artist.

In a sense, “Earth Music III” echoes the grandeur of Grace itself. Stewart notes that Cold Spring Harbor is renowned for its cultured atmosphere. “This pairing of art and science is both unusual and hugely appreciated by the scientists attending CSHL’s Meetings & Courses,” he says. “Grace’s theme of science-meets-art helps make the Auditorium a fantastic forum that has seen numerous scientific firsts—including one of the earliest discussions about the sequencing of the human genome.”

“Earth Music III” is a relatively recent addition to CSHL’s art collection. Records indicate it was installed around 2008. However, Polsky’s family are lifelong supporters of the Laboratory. Her mother, former CSHL Trustee Lita Annenberg Hazen, was a founding donor of the Laboratory’s Neuroscience program. CSHL’s Hazen Tower was named in her honor.

Following Hazen’s passing in 1995, Polsky and her husband, Leon, carried on her philanthropic legacy. The Honorable Leon Polsky served on CSHL’s Board of Trustees from 1996 to 2002. The family also sponsored several research fellowships and professorships in Hazen’s name. Perhaps most impactfully, they established the CSHL School of Biological Sciences (SBS) Dean’s Chair in 1998.

photo of Grace Auditorium during the Recombinant DNA meeting
Visitors, faculty, students, and staff gather in Grace Auditorium during CSHL’s recent meeting, Recombinant DNA: 50 Years of Discovery & Debates.

Since then, the SBS has conferred more than 150 doctoral degrees. Graduates have secured prominent positions at some of the world’s leading institutions. Likewise, Polsky’s work can be found across the globe. It’s on display at the Metropolitan Museum of Art as well as the U.S. Embassy in London.

As for “Earth Music III,” the artist’s appreciation for music may have helped inspire the painting’s chromatic notes of color and texture. “My work … was perhaps influenced by the formalized training I received as a dancer,” she has said. “It remains my view that innovation and expression are relative to, and incorporate, prior visual vocabularies.”

Something similar might be said for CSHL. The Laboratory has a long tradition of cutting-edge science research and education. Those “vocabularies” continue to inspire “innovation and expression” wherever science is taught and tested.

Tags

Stay informed

Sign up for our newsletter to get the latest discoveries, upcoming events, videos, podcasts, and a news roundup delivered straight to your inbox every month.

  Newsletter Signup